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	<title>TAXIFILMFEST</title>
	<link>https://www.taxifilmfest.de/</link>
	<description>Taxi FilmFest Berlin, das TAXI Filmfestval im September 2026 2025</description>
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		<title>Taxi Warren</title>
		<link>https://www.taxifilmfest.de/article269.html</link>
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		<dc:date>2026-09-13T19:24:37Z</dc:date>
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		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Spielfilm&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Drama&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Franz&#246;sisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Franz&#246;sisch&lt;/span&gt;</dc:subject>
		<dc:subject>2023</dc:subject>
		<dc:subject>Elfenbeink&#252;ste</dc:subject>

		<description>&lt;p&gt;Ein mutiger junger Mann gr&#252;ndet einen Taxibetrieb in Abidjan, Elfenbeink&#252;ste. Das geht nicht ohne Konflikte mit Beh&#246;rden und Familie ab.&lt;br class='autobr' /&gt;
Dauer: 01:46:00&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

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&lt;a href="https://www.taxifilmfest.de/mot9.html" rel="tag"&gt;&lt;span lang='DE'&gt;Spielfilm&lt;/span&gt;&lt;/a&gt;, 
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&lt;a href="https://www.taxifilmfest.de/mot63.html" rel="tag"&gt;&lt;span lang='DE'&gt;Franz&#246;sisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot79.html" rel="tag"&gt;2023&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot159.html" rel="tag"&gt;Elfenbeink&#252;ste&lt;/a&gt;

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 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L106xH150/taxi_warren_poster-0c986.jpg?1789328613' class='spip_logo spip_logo_right' width='106' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Resume&lt;/p&gt;
&lt;p&gt;Following obtaining a school loan, Jimmy invests in Abidjan's municipal transport (Warren) to aspire to a better life, without worrying about the risks associated with this activity.&lt;/p&gt;
&lt;p&gt;Directed by&lt;/p&gt;
&lt;p&gt;ASSI GILBERT PHILIPPE OHOUOT&lt;br class='autobr' /&gt;
Submitted by&lt;/p&gt;
&lt;p&gt;Assi O.&lt;/p&gt;
&lt;p&gt; oassi7@gmail.com&lt;br class='autobr' /&gt; +225070-710-2801&lt;br class='autobr' /&gt; 01 BP 2064 ABIDJAN 01&lt;br class='autobr' /&gt; 225&lt;br class='autobr' /&gt; C&#244;te d'Ivoire&lt;br class='autobr' /&gt; February 2, 1979&lt;br class='autobr' /&gt; Age 47&lt;br class='autobr' /&gt; Male&lt;/p&gt;
&lt;p&gt;Country of Origin&lt;/p&gt;
&lt;p&gt;C&#244;te d'Ivoire&lt;br class='autobr' /&gt;
Submission Date&lt;/p&gt;
&lt;p&gt;December 29, 2025&lt;br class='autobr' /&gt;
Tracking Number&lt;/p&gt;
&lt;p&gt;TXFF3842&lt;br class='autobr' /&gt;
Logs&lt;/p&gt;
&lt;p&gt;Klaus Meier updated Judging Status from Undecided to Selected&lt;br class='autobr' /&gt;
Aug 30&lt;/p&gt;
&lt;p&gt;Klaus Meier added flag Green&lt;br class='autobr' /&gt;
Feb 11&lt;br class='autobr' /&gt;
Runtime&lt;/p&gt;
&lt;p&gt;02:16:00&lt;br class='autobr' /&gt;
Category&lt;br class='autobr' /&gt;
Long fiction&lt;br class='autobr' /&gt;
Regular Deadline&lt;br class='autobr' /&gt;
Standard Fee: &#8364;0.00&lt;/p&gt;
&lt;p&gt;Director Biography - ASSI GILBERT PHILIPPE OHOUOT&lt;/p&gt;
&lt;p&gt;FILMOGRAPHIE&lt;br class='autobr' /&gt;
2025 // AMLAN&lt;br class='autobr' /&gt;
2025 // LA COACH&lt;br class='autobr' /&gt;
2024// LA CI CONSTRUIT SA CAN&lt;br class='autobr' /&gt;
2023 // TAXI WARREN&lt;br class='autobr' /&gt;
2020 // LE SYNDICAT DE NOUKA&lt;br class='autobr' /&gt;
2019 // LE PROJET&lt;br class='autobr' /&gt;
2017 // NOTE D'ESPOIR&lt;/p&gt;
&lt;p&gt;O.Assi by his full name OHOUOT ASSI GILBERT PHILIPPE is an Ivorian producer and director with a professional Master's degree in Performing Arts, Audiovisual Production and Cinema option, obtained at the UFR Information, Communication and Arts from F&#233;lix Houphouet-Boigny University of Cocody in Abidjan, He is also the Managing Director of INCRUST since 2013, he is married and father of 02 children O.Assi has his assets 02 Documentaries: School and the digital revolution (produced in 2016) Note d'Espoir (produced in 2017) / 02 TV series: The Project (produced in 2019 in Co-production with RTI); Le Syndicat de Nouka (produced in Co-production with RTI in 2020) And several other successful TV content such as The School of Poets, Miss Tips, Warren the short series and Habitat &#224; la Une, TAXI Warren in 2023&lt;/p&gt;
&lt;p&gt; Director Statement&lt;/p&gt;
&lt;p&gt;A popular means of transport in Abidjan, the Ivorian economic capital, Warren taxis are municipal and collective taxis at a fixed price that serve a regular line. It is therefore no secret that success in the urban transport sector is possible but it is sometimes complicated. Profitability exists, the risk is not to be neglected. Many people have ventured into it but have not had the desired return on investment. Indeed, for many, the transport adventure quickly turned into a nightmare. Between breakdowns, accidents, unions and other hassles, the entrepreneur no longer finds himself. He even struggles to recover even the capital he has invested; such is the case of Jimmy, a young Ivorian who is a palpable example. For Jimmy, the transport sector is a way to multiply his income and provide the best for his family. He therefore does not hesitate to buy a Warren taxi at the end of a school loan granted by the bank. He expects to earn a little more money right away, but unfortunately, like many people who get involved too early without prior investigations and market studies to measure the risks and contours of such a business, his dream turns into a nightmare. &#034;Taxi Warren&#034; is a poignant drama that explores the consequences of financial choices on the lives of individuals and those around them. The film will offer an authentic immersion in the city of Abidjan and will be carried by a cast of talented local actors. The dark, realistic tone of the film will be enhanced by a soundtrack of African music. &#8220;Taxi Warren&#8221; therefore comes both in a humorous and dramatic tone to highlight the urgency and the need to organize a growing business sector that attracts a lot of foxes; because in the midst of all this, our populations need to move to work, go to school, to the hospital and to live.&lt;/p&gt;
&lt;p&gt; Credits&lt;/p&gt;
&lt;p&gt; ASSI GILBERT PHILIPPE OHOUOT&lt;br class='autobr' /&gt; Director&lt;br class='autobr' /&gt; ASSI GILEBRT PHILIPPE OHOUOT&lt;br class='autobr' /&gt; Writer&lt;br class='autobr' /&gt; MARINA YILE BLON&lt;br class='autobr' /&gt; Writer&lt;br class='autobr' /&gt; ASSI GILBERT OHOUOTAX&lt;br class='autobr' /&gt; Producer&lt;br class='autobr' /&gt; AXEL TRESOR GBALLOU&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; &#034;Jimmy&#034;&lt;br class='autobr' /&gt; YAPO VIATEUR ABOU&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; &#034;Petit Moussa&#034;&lt;br class='autobr' /&gt; BEN BRAHIMA KONE&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; &#034;ZAO&#034;&lt;br class='autobr' /&gt; GUY OLIVIER BAILLY GUIGRAHI&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; &#034;Dragon&#034;&lt;/p&gt;
&lt;p&gt;Specifications&lt;/p&gt;
&lt;p&gt; Project Title (Original Language):&lt;br class='autobr' /&gt; TAXI WARREN&lt;br class='autobr' /&gt; Project Type:&lt;br class='autobr' /&gt; Feature&lt;br class='autobr' /&gt; Runtime:&lt;br class='autobr' /&gt; 2 hours 16 minutes&lt;br class='autobr' /&gt; Completion Date:&lt;br class='autobr' /&gt; March 31, 2023&lt;br class='autobr' /&gt; Production Budget:&lt;br class='autobr' /&gt; 80,000 USD&lt;br class='autobr' /&gt; Country of Origin:&lt;br class='autobr' /&gt; C&#244;te d'Ivoire&lt;br class='autobr' /&gt; Country of Filming:&lt;br class='autobr' /&gt; C&#244;te d'Ivoire&lt;br class='autobr' /&gt; Language:&lt;br class='autobr' /&gt; French&lt;br class='autobr' /&gt; Shooting Format:&lt;br class='autobr' /&gt; Digital Ursa 12K&lt;br class='autobr' /&gt; Film Color:&lt;br class='autobr' /&gt; Color&lt;br class='autobr' /&gt; First-time Filmmaker:&lt;br class='autobr' /&gt; No&lt;br class='autobr' /&gt; Student Project:&lt;br class='autobr' /&gt; No&lt;br class='autobr' /&gt; Digital Cinema Package:&lt;br class='autobr' /&gt; Unavailable&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/35324095" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
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<item xml:lang="de">
		<title>&#161;TAXI!</title>
		<link>https://www.taxifilmfest.de/article268.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article268.html</guid>
		<dc:date>2026-09-13T19:24:23Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Admin</dc:creator>



		<description>&lt;p&gt;Taxifahren ist eine harte Arbeit f&#252;r Immigranten in New York. Im R&#252;ckblick &#252;berwiegen die sch&#246;nen Momente.&lt;br class='autobr' /&gt;
Dauer: 00:02:35&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L105xH150/taxi-poster-c835e.jpg?1789328613' class='spip_logo spip_logo_right' width='105' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Overview&lt;/p&gt;
&lt;p&gt;A 1980s Manhattan cab driver, host to an ever-changing cast of characters, reminisces a time when he drove a director to a film set and landed an acting gig.&lt;/p&gt;
&lt;p&gt;Director Biography - Pamela Restrepo&lt;/p&gt;
&lt;p&gt;Pamela Restrepo is the director of &#161;TAXI!. She is a story artist from Atlanta, Georgia, with a proud Colombian heritage. While studying Story and Concept Design at the Savannah College of Art and Design, Pamela works with genres ranging from light comedy to dark horror. She enjoys sharing stories of many perspectives while mixing genres to create unique worlds like &#161;TAXI! for people to enjoy.&lt;/p&gt;
&lt;p&gt;Director Statement&lt;/p&gt;
&lt;p&gt;This films comes from all the memories I share with people like my father: hardworking people who make the foundation of our society. This film is a &#034;thank you&#034; to all of our loved ones, colleagues, and people to work together to make our days bearable.&lt;/p&gt;
&lt;p&gt;Credits&lt;/p&gt;
&lt;p&gt;Pamela Restrepo&lt;br class='autobr' /&gt;
Director&lt;br class='autobr' /&gt;
Arthur Xiong&lt;br class='autobr' /&gt;
Production Manager&lt;br class='autobr' /&gt;
Lucy Adelizzi&lt;br class='autobr' /&gt;
Production Consultant&lt;br class='autobr' /&gt;
Pavitra Kansal&lt;br class='autobr' /&gt;
Production Assistants&lt;br class='autobr' /&gt;
Terra Smith&lt;br class='autobr' /&gt;
Production Assistants&lt;br class='autobr' /&gt;
Kaz Montero&lt;br class='autobr' /&gt;
Art Director&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
Concept Leads&lt;br class='autobr' /&gt;
Grace Martin&lt;br class='autobr' /&gt;
Concept Leads&lt;br class='autobr' /&gt;
Khanh Nguyen Hoang&lt;br class='autobr' /&gt;
3D/Technical Director&lt;br class='autobr' /&gt;
Andres Gossmann&lt;br class='autobr' /&gt;
Character Design Lead&lt;br class='autobr' /&gt;
Jannah Annan Manneh&lt;br class='autobr' /&gt;
Animation Directors&lt;br class='autobr' /&gt;
Faith Campbell&lt;br class='autobr' /&gt;
2D Animation Lead&lt;br class='autobr' /&gt;
Chris London&lt;br class='autobr' /&gt;
2D Animation Lead&lt;br class='autobr' /&gt;
Isabella Perlee&lt;br class='autobr' /&gt;
Modeler&lt;br class='autobr' /&gt;
Camryn Holder&lt;br class='autobr' /&gt;
Modeler&lt;br class='autobr' /&gt;
David Spencer&lt;br class='autobr' /&gt;
Modeler&lt;br class='autobr' /&gt;
Tam &#034;Tammy&#034; Lee&lt;br class='autobr' /&gt;
Modeler&lt;br class='autobr' /&gt;
Khanh Nguyen Hoang&lt;br class='autobr' /&gt;
Modeler&lt;br class='autobr' /&gt;
Angela Mauvezin-Quiroga&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Briana Jones&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Allison Witzmann&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Han Lee&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Vanthy Vu&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Xanili Rose&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Marleigh Peden&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Riley S. Quinn&lt;br class='autobr' /&gt;
Concept Artists&lt;br class='autobr' /&gt;
Florence Wu&lt;br class='autobr' /&gt;
Color Script Consultant&lt;br class='autobr' /&gt;
Pamela Restrepo&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Grace Martin&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Allison Witzmann&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Han Lee&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Amy Cheng&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Doni Dock&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Joanna Nhema&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Quincy McClellan&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Vanthy Vu&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Jennifer Garcia&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Xanili Rose&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Brina Hyunh&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Josh Mizrahi&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Marleigh Peden&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Isabella Perlee&lt;br class='autobr' /&gt;
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Panzu Mavinga&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Koda Moore&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Isabella Lee King&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Rose Alicea&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Mark Boone&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Richard Zhao&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Kaz Montero&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Alex Villalpando&lt;br class='autobr' /&gt;
Background Artists&lt;br class='autobr' /&gt;
Lucy Adelizzi&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Grace Martin&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Isabella Perlee&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Dani Dock&lt;br class='autobr' /&gt;
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Rose Alicea&lt;br class='autobr' /&gt;
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Alex Villalpando&lt;br class='autobr' /&gt;
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Vanthy Vu&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Isabella Lee King&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Mark Boone&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Xanili Rose&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Panzu Mavinga&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Allison Witzmann&lt;br class='autobr' /&gt;
Background Colorists&lt;br class='autobr' /&gt;
Lisa Pringle&lt;br class='autobr' /&gt;
Additional BG&lt;br class='autobr' /&gt;
Camryn Woxland&lt;br class='autobr' /&gt;
Additional BG&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Angela Mauvezin&#8211;Quiroga&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Briana Jones&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Jennifer Garcia&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Riley S. Quinn&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Marleigh Peden&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Pavida Changkaew&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Diana Grant&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Gabrielle Williams&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Michael C. McGhee&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Isabella Lee King&lt;br class='autobr' /&gt;
Character Designer&lt;br class='autobr' /&gt;
Jessica Ambadipudi&lt;br class='autobr' /&gt;
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Han Lee&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Jennifer Garcia&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Anuja Jumde&lt;br class='autobr' /&gt;
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Kat Hawkes&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Isabella Perlee&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Taylor Evans&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Aranxa Campos&lt;br class='autobr' /&gt;
Prop Artists&lt;br class='autobr' /&gt;
Luis Ponce Pi&#241;on&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Jennifer Garcia&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Raven Campilan&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Paul Robertson&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Kaz Montero&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Annelise Coello&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Briana Jones&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Grace Martin&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Alex Villalpando&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Samuel Kem&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Davia Williams&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Riley S. Quinn&lt;br class='autobr' /&gt;
Character Layouts&lt;br class='autobr' /&gt;
Terra Smith&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Kaz Montero&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Briana Jones&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Quincy McClellan&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Jennifer Garcia&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Davia Williams&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Alex Villalpando&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Yu-Fong Chen&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Raven Campilan&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Christian Inmon&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Paul Robertson&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Annelise Coello&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Anthony Comito&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Carter Martin&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Sammy Liu&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
MeiQianZi Liu&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Harry Barnes&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Jenny Park&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Tania McCrary&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Jonatan Martinez&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Nasir Morrison&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Chris London&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Faith Campbell&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Mark Boone&lt;br class='autobr' /&gt;
Rough-Key Animators&lt;br class='autobr' /&gt;
Harry Barnes&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Terra Smith&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Nasir Morrison&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Mark Boone&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Tania McCrary&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Quincy McClellan&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Florence Wu&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Esther Kuti&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Aryaan Patel&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Gabrielle Williams&lt;br class='autobr' /&gt;
In-Betweener&lt;br class='autobr' /&gt;
Carter Martin&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Brooke Murphy&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Aryaan Patel&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Kaz Montero&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Harry Barnes&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Arthur Xiong&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Gabrielle Williams&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Alex Villalpando&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Jonatan Martinez&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Pamela Restrepo&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Florence Wu&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
Jaylin Smith&lt;br class='autobr' /&gt;
Cleanup-Artist&lt;br class='autobr' /&gt;
John Thompson&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Derrick Yeboah&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Nasir Morrison&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Eugene Park&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Zeynep Ciger&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Esther Kuti&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Jonatan Martinez&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Jacolbi Hinton&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Ernesto Serna&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Ren Ludlow&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Pamela Restrepo&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Aarti Damania&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Lucas Pennell&lt;br class='autobr' /&gt;
Colors and Shadows&lt;br class='autobr' /&gt;
Gabrielle Williams&lt;br class='autobr' /&gt;
FX Animators&lt;br class='autobr' /&gt;
Alex Villalpando&lt;br class='autobr' /&gt;
FX Animators&lt;br class='autobr' /&gt;
Leo Dave&lt;br class='autobr' /&gt;
FX Animators&lt;br class='autobr' /&gt;
Dejay Pena&lt;br class='autobr' /&gt;
Compositors&lt;br class='autobr' /&gt;
Zeynep Ciger&lt;br class='autobr' /&gt;
Compositors&lt;br class='autobr' /&gt;
Clara Seymour&lt;br class='autobr' /&gt;
Compositors&lt;br class='autobr' /&gt;
Gabrielle Williams&lt;br class='autobr' /&gt;
Compositors&lt;br class='autobr' /&gt;
Ruben Restrepo&lt;br class='autobr' /&gt;
Voice Actors&lt;br class='autobr' /&gt;
Zoe Kerpics&lt;br class='autobr' /&gt;
Voice Actors&lt;br class='autobr' /&gt;
Jake Williams&lt;br class='autobr' /&gt;
Score&lt;br class='autobr' /&gt;
Avery Shields&lt;br class='autobr' /&gt;
Sound Designer&lt;br class='autobr' /&gt;
Ernesto Serna&lt;br class='autobr' /&gt;
Musician&lt;/p&gt;
&lt;p&gt;Specifications&lt;/p&gt;
&lt;p&gt;Project Type:&lt;br class='autobr' /&gt;
Animation, Short, Student&lt;br class='autobr' /&gt;
Genres:&lt;br class='autobr' /&gt;
comedy, slice-of-life, biography&lt;br class='autobr' /&gt;
Runtime:&lt;br class='autobr' /&gt;
2 minutes 35 seconds&lt;br class='autobr' /&gt;
Completion Date:&lt;br class='autobr' /&gt;
October 21, 2024&lt;br class='autobr' /&gt;
Production Budget:&lt;br class='autobr' /&gt;
6,000 USD&lt;br class='autobr' /&gt;
Country of Origin:&lt;br class='autobr' /&gt;
United States&lt;br class='autobr' /&gt;
Country of Filming:&lt;br class='autobr' /&gt;
United States&lt;br class='autobr' /&gt;
Language:&lt;br class='autobr' /&gt;
Spanish&lt;br class='autobr' /&gt;
Aspect Ratio:&lt;br class='autobr' /&gt;
16:9&lt;br class='autobr' /&gt;
Film Color:&lt;br class='autobr' /&gt;
Color&lt;br class='autobr' /&gt;
First-time Filmmaker:&lt;br class='autobr' /&gt;
Yes&lt;br class='autobr' /&gt;
Student Project:&lt;br class='autobr' /&gt;
Yes - Savannah College of Art and Design, Atlanta Campus&lt;br class='autobr' /&gt;
Digital Cinema Package:&lt;br class='autobr' /&gt;
Unavailable&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/35405565" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="de">
		<title>A Taxi Ride in Fall</title>
		<link>https://www.taxifilmfest.de/article267.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article267.html</guid>
		<dc:date>2026-09-13T19:24:04Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Drama&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Deutschland&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>2024</dc:subject>

		<description>&lt;p&gt;Das Taxifahren kann ein ganzes Leben dauern. Manchmal kommt dabei zur&#252;ck, was war.&lt;br class='autobr' /&gt;
Dauer: 00:10:00&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

/ 
&lt;a href="https://www.taxifilmfest.de/mot11.html" rel="tag"&gt;&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot16.html" rel="tag"&gt;&lt;span lang='DE'&gt;Drama&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot19.html" rel="tag"&gt;&lt;span lang='DE'&gt;Deutschland&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot29.html" rel="tag"&gt;&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot35.html" rel="tag"&gt;&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot46.html" rel="tag"&gt;&lt;span lang='DE'&gt;Deutsch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot48.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot58.html" rel="tag"&gt;2024&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L106xH150/a_taxi-ride-in-fall-poster-fc55d.jpg?1789328613' class='spip_logo spip_logo_right' width='106' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Overview&lt;/p&gt;
&lt;p&gt;The story follows a seasoned taxi driver who unexpectedly crosses paths with his first great love. Together, they drift through memories of the time they once shared. But when he finally drops her off at a hospice, their lives part ways once more&#8212;this time for good.&lt;/p&gt;
&lt;p&gt;Haunted by doubts about his choices and the meaning of his existence, he wrestles with his thoughts, only finding release when the next passenger calls for him.&lt;/p&gt;
&lt;p&gt;A tale of regret over past decisions and the absurd unpredictability of life.&lt;/p&gt;
&lt;p&gt; Director Biography - Johannes Wilczek&lt;/p&gt;
&lt;p&gt;Born in 1999 in Bavaria, Johannes Wilczek moved to Berlin in 2023 where he was taught directing by Rosa von Praunheim. In March 2026 he won &#034;best director&#034; for his short film &#034;A Taxi Ride in Fall&#034; at the Berlin Indie Film Festival.&lt;/p&gt;
&lt;p&gt;Credits&lt;/p&gt;
&lt;p&gt; Johannes Wilczek&lt;br class='autobr' /&gt; Director&lt;br class='autobr' /&gt; Johannes Wilczek&lt;br class='autobr' /&gt; Writer&lt;br class='autobr' /&gt; Johannes Wilczek&lt;br class='autobr' /&gt; Producer&lt;br class='autobr' /&gt; Lukas G&#228;&#223;ler&lt;br class='autobr' /&gt; Producer&lt;br class='autobr' /&gt; Christofer von Beau&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; Joana Rueffer&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; Nele Noemi Kuppens&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; Luca Manuel Krebs Mbiene&lt;br class='autobr' /&gt; Key Cast&lt;br class='autobr' /&gt; Mattis Schulte&lt;br class='autobr' /&gt; Director of Photography&lt;br class='autobr' /&gt; Patrick Grzybowski&lt;br class='autobr' /&gt; Music&lt;br class='autobr' /&gt; Elias Schr&#246;ter&lt;br class='autobr' /&gt; Music&lt;/p&gt;
&lt;p&gt;Specifications&lt;/p&gt;
&lt;p&gt; Project Title (Original Language):&lt;br class='autobr' /&gt; Herbst im Taxi&lt;br class='autobr' /&gt; Project Type:&lt;br class='autobr' /&gt; Short, Student&lt;br class='autobr' /&gt; Runtime:&lt;br class='autobr' /&gt; 10 minutes&lt;br class='autobr' /&gt; Completion Date:&lt;br class='autobr' /&gt; July 31, 2024&lt;br class='autobr' /&gt; Country of Origin:&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; Country of Filming:&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; Language:&lt;br class='autobr' /&gt; German&lt;br class='autobr' /&gt; Shooting Format:&lt;br class='autobr' /&gt; Digital&lt;br class='autobr' /&gt; Aspect Ratio:&lt;br class='autobr' /&gt; 2,39:1&lt;br class='autobr' /&gt; Film Color:&lt;br class='autobr' /&gt; Color&lt;br class='autobr' /&gt; First-time Filmmaker:&lt;br class='autobr' /&gt; Yes&lt;br class='autobr' /&gt; Student Project:&lt;br class='autobr' /&gt; Yes - /&lt;br class='autobr' /&gt; Digital Cinema Package:&lt;br class='autobr' /&gt; Unavailable&lt;/p&gt;
&lt;p&gt; Screenings / Awards&lt;/p&gt;
&lt;p&gt; Berlin Indie Film Festival&lt;br class='autobr' /&gt; Berlin&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; Award&lt;br class='autobr' /&gt; Best Director - Short Film&lt;br class='autobr' /&gt; Berlin Kiez Film Festival&lt;br class='autobr' /&gt; Berlin&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; Best Actor - Short Film&lt;br class='autobr' /&gt; iDEAL INTERNATIONAL FILM FESTIVAL&lt;br class='autobr' /&gt; Sillod&lt;br class='autobr' /&gt; India&lt;br class='autobr' /&gt; Best Original Score&lt;br class='autobr' /&gt; Berlin Indie Shorts Festival&lt;br class='autobr' /&gt; Berlin&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; May 19, 2026&lt;br class='autobr' /&gt; World Premiere&lt;br class='autobr' /&gt; Honorable Mention - Best Debut Short Film&lt;br class='autobr' /&gt; East Village New York Film Festival&lt;br class='autobr' /&gt; New York&lt;br class='autobr' /&gt; United States&lt;br class='autobr' /&gt; Honorable Mention - Original Score&lt;br class='autobr' /&gt; Montpellier Independent Film Festival&lt;br class='autobr' /&gt; Montpellier&lt;br class='autobr' /&gt; France&lt;br class='autobr' /&gt; Honorable Mention - Best Short Film (INTERNATIONAL)&lt;br class='autobr' /&gt; Berlin Short Film Festival&lt;br class='autobr' /&gt; Berlin&lt;br class='autobr' /&gt; Germany&lt;br class='autobr' /&gt; July 17, 2026&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/36023553" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="de">
		<title>Una simple taxista</title>
		<link>https://www.taxifilmfest.de/article266.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article266.html</guid>
		<dc:date>2026-09-13T19:23:45Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>2022</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Spanisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Spanisch&lt;/span&gt;</dc:subject>
		<dc:subject>Feminismus</dc:subject>
		<dc:subject>Panama</dc:subject>

		<description>&lt;p&gt;Die Arbeit als Frau am Steuer eines Taxis in Panama bedeutet ununterbrochenen Kampf. Mit guter Laune l&#228;sst sich das durchhalten.&lt;br class='autobr' /&gt;
Dauer 00:05:00&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

/ 
&lt;a href="https://www.taxifilmfest.de/mot33.html" rel="tag"&gt;2022&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot48.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot61.html" rel="tag"&gt;&lt;span lang='DE'&gt;Spanisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot64.html" rel="tag"&gt;&lt;span lang='DE'&gt;Spanisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot157.html" rel="tag"&gt;Feminismus&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot158.html" rel="tag"&gt;Panama&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L120xH150/a_simple_taxi_driver-poster-6020f.jpg?1789328613' class='spip_logo spip_logo_right' width='120' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Overview&lt;/p&gt;
&lt;p&gt;Iris, a female taxi driver from the province of Col&#243;n, struggles and suffers in a sexist society that believes only men can work as taxi drivers; she breaks this sexist mould to become an entrepreneur, helping her children and other women.&lt;br class='autobr' /&gt;
Director's Biography &#8211; Henry Gonz&#225;lez&lt;/p&gt;
&lt;p&gt;Henry J. Gonz&#225;lez G. was born in the Republic of Panama on 26 June 1998, in the city of Col&#243;n, located on the Caribbean coast of the country.&lt;/p&gt;
&lt;p&gt;He currently holds a Bachelor's degree in Digital Graphic Production for Television from the Universidad Latina de Panam&#225;.&lt;br class='autobr' /&gt;
He is in his fourth year at the National University of Panama, studying for a Bachelor's degree in Film, Radio and Television Direction and Production.&lt;/p&gt;
&lt;p&gt;To date, he has produced five documentaries and four fiction films, taking on roles such as director, screenwriter, editor and actor.&lt;/p&gt;
&lt;p&gt;These productions have been screened at around ten national and international film festivals.&lt;br class='autobr' /&gt;
Notably: Panama, the United States, Guatemala, Mexico, Chile and France.&lt;br class='autobr' /&gt;
Director's Statement&lt;/p&gt;
&lt;p&gt;This project is very important to me because it tells the story of someone very close to me.&lt;/p&gt;
&lt;p&gt;I must thank Sergio Castro, the film's producer and photographer. Thank you for believing in the project right from the outset.&lt;/p&gt;
&lt;p&gt; Credits&lt;/p&gt;
&lt;p&gt;Director: Henry Gonz&#225;lez&lt;br class='autobr' /&gt;
Writer: Henry Gonz&#225;lez&lt;br class='autobr' /&gt;
Producer: Sergio Castro&lt;br class='autobr' /&gt;
Editing: Henry Gonz&#225;lez&lt;br class='autobr' /&gt;
Sound and Music: Sergio Castro&lt;br class='autobr' /&gt;
Key Cast: Henry Gonz&#225;lez&lt;/p&gt;
&lt;p&gt; Specifications&lt;/p&gt;
&lt;p&gt;Project Title (Original Language): UNA SIMPLE TAXISTA&lt;br class='autobr' /&gt;
Runtime: 5 minutes&lt;br class='autobr' /&gt;
Completion Date: 22 September 2022&lt;br class='autobr' /&gt;
Production Budget: 200 USD&lt;br class='autobr' /&gt;
Country of Origin: Panama&lt;br class='autobr' /&gt;
Language: Spanish&lt;br class='autobr' /&gt;
Student Project: Yes&lt;/p&gt;
&lt;p&gt;Screenings / Awards&lt;/p&gt;
&lt;p&gt;GECU SHORT FILM FESTIVAL&lt;br class='autobr' /&gt;
Panama&lt;br class='autobr' /&gt;
Panama&lt;br class='autobr' /&gt;
16 September 2022&lt;br class='autobr' /&gt;
National Premiere&lt;br class='autobr' /&gt;
BEST DOCUMENTARY&lt;/p&gt;
&lt;p&gt;PANALANDIA FILM FESTIVAL&lt;br class='autobr' /&gt;
Col&#243;n&lt;br class='autobr' /&gt;
Panama&lt;br class='autobr' /&gt;
26 January 2023&lt;br class='autobr' /&gt;
National Premiere&lt;br class='autobr' /&gt;
BEST DOCUMENTARY&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/36663774" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="de">
		<title>Taxi Chronicles</title>
		<link>https://www.taxifilmfest.de/article265.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article265.html</guid>
		<dc:date>2026-09-13T19:23:29Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Admin</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Spielfilm&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Drama&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Kanada&lt;/span&gt;</dc:subject>
		<dc:subject>2025</dc:subject>
		<dc:subject>keine</dc:subject>

		<description>&lt;p&gt;Das ganze Leben spielt sich auf der R&#252;ckbank des Taxis ab. Manchmal muss der Fahrer Stellung zu den wichtigesten Fragen des Lebens beziehen.&lt;br class='autobr' /&gt;
Dauer: 01:12:00&lt;/p&gt;

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&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

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&lt;a href="https://www.taxifilmfest.de/mot9.html" rel="tag"&gt;&lt;span lang='DE'&gt;Spielfilm&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot16.html" rel="tag"&gt;&lt;span lang='DE'&gt;Drama&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot41.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot62.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot88.html" rel="tag"&gt;&lt;span lang='DE'&gt;Kanada&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot152.html" rel="tag"&gt;2025&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot153.html" rel="tag"&gt;keine&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L120xH150/taxi_chromicles-poster-8b48a.jpg?1789328613' class='spip_logo spip_logo_right' width='120' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Overview&lt;/p&gt;
&lt;p&gt;On a cold Halloween night in Edmonton, Abel, a middle-aged immigrant rideshare driver from Kerala, begins what seems like another ordinary shift. As the city empties and the rain-soaked streets grow quieter, a series of strangers enter his car&#8212;a wealthy businessman, a social media influencer, a lonely groom, a racist drunk, a corrupt philanthropist, a conflicted priest, and others&#8212;each carrying their own secrets, regrets, and moral contradictions.&lt;/p&gt;
&lt;p&gt;From the silence of the driver's seat, Abel listens as his passengers reveal fragments of ambition, envy, anger, desire, loneliness, and guilt. What begins as a collection of disconnected encounters gradually transforms into a deeper meditation on the hidden struggles people carry behind carefully constructed identities.&lt;/p&gt;
&lt;p&gt;As the night unfolds, Abel's calm presence begins to reveal its own quiet sorrow. Beneath every ride lies a man haunted by a personal tragedy, searching for redemption in the simple act of helping strangers find their way home.&lt;br class='autobr' /&gt;
Director Biography - Vishnu Rajan&lt;/p&gt;
&lt;p&gt;Vishnu Rajan is an Indian-Canadian filmmaker, writer, and producer originally from Kerala, India, and currently based in Canada. His work explores human relationships, morality, identity, and the emotional complexities of immigrant life, often blending realism with philosophical storytelling.&lt;/p&gt;
&lt;p&gt;He began his filmmaking journey with the short film Vali &#8211; The Fart (2020), which he wrote and directed, followed by Red Wine (2021). As a producer, he has been associated with acclaimed Malayalam films including The Great Indian Kitchen, Freedom Fight, Purusha Pretham, and Sree Dhanya Catering Service. His work on The Great Indian Kitchen contributed to its recognition, including a Kerala State Award.Currently based in Canada, Vishnu continues to develop stories that bridge cultures and challenge audiences through intimate, character-driven cinema. His latest film, Taxi, marks a deeply personal exploration of guilt, redemption, and the hidden moral struggles of modern life.&lt;br class='autobr' /&gt;
Director Statement&lt;/p&gt;
&lt;p&gt;I have always been fascinated by the lives we briefly encounter but never truly know. As immigrants, as travelers, and as strangers in modern cities, we often pass through each other's lives in silence, carrying private wounds, guilt, desires, and contradictions that remain unseen. Taxi Chronicles was born from that curiosity.&lt;/p&gt;
&lt;p&gt;Set over a single Halloween night in Edmonton, the film uses the confined space of a car as both a physical setting and a moral landscape. Each passenger Abel encounters represents a different reflection of human weakness&#8212;pride, greed, envy, wrath, lust, gluttony, and spiritual emptiness. Beneath their conversations about money,identity, loneliness, technology, love, and faith lies a deeper question: What does it mean to live with the consequences of our choices?&lt;/p&gt;
&lt;p&gt;At the center of the film is Abel, an immigrant driver from Kerala who listens more than he speaks. Through the stories of strangers, he quietly confronts his own grief and guilt. For me, Abel is not simply a driver&#8212;he is a witness, a confessor, and a man searching for redemption in the ordinary act of helping others get home safely.&lt;/p&gt;
&lt;p&gt;I chose to tell this story almost entirely from the dashcam perspective because I wanted the audience to feel like silent passengers themselves&#8212;observing, judging, empathizing, and perhaps recognizing parts of themselves in these encounters. The camera never escapes the car, because Abel himself cannot escape his past.&lt;/p&gt;
&lt;p&gt;As a filmmaker living between cultures, I am deeply drawn to stories about displacement, morality, and the hidden emotional lives of ordinary people. Taxi Chronicles is both an intimate character study and a meditation on guilt, grace, and the possibility of redemption in a fractured modern world.&lt;/p&gt;
&lt;p&gt;&#8212; Vishnu Rajan&lt;/p&gt;
&lt;p&gt;Credits&lt;/p&gt;
&lt;p&gt; Director: Vishnu Rajan&lt;br class='autobr' /&gt; Writer: Vishnu Rajan, Sudheesh Scaria&lt;br class='autobr' /&gt; Producer: Vishnu Rajan, Sudheesh Scaria&lt;br class='autobr' /&gt; Key Cast: &#034;Abel&#034;&lt;/p&gt;
&lt;p&gt;Specifications&lt;/p&gt;
&lt;p&gt; Project Type: Experimental, Feature&lt;br class='autobr' /&gt; Runtime:1 hour 12 minutes&lt;br class='autobr' /&gt; Completion Date: November 30, 2025&lt;br class='autobr' /&gt; Production Budget: 10,000 USD&lt;br class='autobr' /&gt; Country of Origin: Canada&lt;br class='autobr' /&gt; Country of Filming: Canada&lt;br class='autobr' /&gt; Language: English&lt;br class='autobr' /&gt; Shooting Format: Digital&lt;br class='autobr' /&gt; Aspect Ratio: 16:9&lt;br class='autobr' /&gt; Film Color: Color&lt;br class='autobr' /&gt; First-time Filmmaker: Yes&lt;br class='autobr' /&gt; Student Project: No&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/36865293" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
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<item xml:lang="de">
		<title>She steers the Night</title>
		<link>https://www.taxifilmfest.de/article264.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article264.html</guid>
		<dc:date>2026-09-13T19:23:15Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Dokumentation&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>Niederlande</dc:subject>
		<dc:subject>Niederl&#228;ndisch</dc:subject>
		<dc:subject>Niederl&#228;ndisch</dc:subject>
		<dc:subject>Dokumentarfilm</dc:subject>

		<description>&lt;p&gt;Zwei Taxifahrerinnen k&#228;mpfen f&#252;r die Sicherheit von Frauen in den n&#228;chtlichen St&#228;dten der Niederlande.&lt;br class='autobr' /&gt;
Dauer: 00:22:47&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

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&lt;a href="https://www.taxifilmfest.de/mot10.html" rel="tag"&gt;&lt;span lang='DE'&gt;Dokumentation&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot48.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot150.html" rel="tag"&gt;Niederlande&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot154.html" rel="tag"&gt;Niederl&#228;ndisch&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot155.html" rel="tag"&gt;Niederl&#228;ndisch&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot156.html" rel="tag"&gt;Dokumentarfilm&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L106xH150/zij_stuur_de_nacht_poster-29394.jpg?1789328613' class='spip_logo spip_logo_right' width='106' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;In the documentary &#8216;Zij stuurt de Nacht' we follow two female taxi drivers over the course of a single night: Jeanet Jager, one of the few women working as a driver on Rotterdam's Coolsingel, and Ellen van den Brink, who drives night shifts in Amsterdam.&lt;/p&gt;
&lt;p&gt;In cities where the night never stands still, they navigate a world dominated by men. Throughout their shifts, all kinds of passengers climb into their taxis: lost tourists, intoxicated partypeople, and young women trying to get home safely. While they work to protect others, they are also confronted with the risks that come with working at night.&lt;/p&gt;
&lt;p&gt;Because in the confined space of a taxi, the atmosphere can change in an instant. Jeanet was severely assaulted in the past, and Ellen stays in constant contact with her husband during her shifts as an extra safety measure.&lt;/p&gt;
&lt;p&gt;How can they help keep other women safe at night without putting themselves in danger?&lt;/p&gt;
&lt;p&gt; Credits&lt;/p&gt;
&lt;p&gt; Director: Vos Vissers, Yula Bello&lt;br class='autobr' /&gt; Writer: Vos Vissers, Yula Bello&lt;br class='autobr' /&gt; Producer: Vos Vissers, Yula Bello&lt;/p&gt;
&lt;p&gt; Specifications&lt;/p&gt;
&lt;p&gt; Project Title (Original Language): Zij stuurt de Nacht&lt;br class='autobr' /&gt; Project Type: Documentary&lt;br class='autobr' /&gt; Runtime: 22 minutes 47 seconds&lt;br class='autobr' /&gt; Completion Date: June 11, 2026&lt;br class='autobr' /&gt; Country of Origin: Netherlands&lt;br class='autobr' /&gt; Country of Filming: Netherlands&lt;br class='autobr' /&gt; Language: Dutch&lt;br class='autobr' /&gt; Shooting Format: ProRes&lt;br class='autobr' /&gt; Aspect Ratio: 3840&#8202;&#215;&#8202;2160&lt;br class='autobr' /&gt; Film Color: Color&lt;br class='autobr' /&gt; First-time Filmmaker: Yes&lt;br class='autobr' /&gt; Student Project: Yes - Hogeschool Utrecht&lt;br class='autobr' /&gt; Digital Cinema Package: Available&lt;/p&gt;
&lt;p&gt; Cover Letter&lt;/p&gt;
&lt;p&gt;We made this movie out of a personal interest. One of the makers of the film has two parents who were both taxi drivers and met each other in this profession. One year ago something terrible happend in The Netherlands. A girl called Lisa was murdered while driving her bike home after a night out in Amsterdam. This story woke up a big conversation in our country about female safety. Thats why we wanted to make this film. To focus on female safety and how other women can help each other out. And especially these two women in our movie. Of all the taxi drivers in our country only 2% of them are female. That's a very low number. We hope to show this movie to people who already acknowledge the problem but also to people that maybe don't. And by watching this film see what is really going on.&lt;/p&gt;
&lt;p&gt;Documentary film &#8216;She Steers the Night' about female taxi drivers, source:&lt;br class='autobr' /&gt;
&lt;a href=&#034;https://www.taxipro.nl/straattaxi/2026/08/18/documentairefilm-zij-stuurt-de-nacht-over-vrouwelijke-chauffeurs-wordt-vertoond-op-taxi-expo-2026-primeur-voor-de-branche/&#034; class=&#034;spip_url spip_out auto&#034; rel=&#034;nofollow external&#034;&gt;https://www.taxipro.nl/straattaxi/2026/08/18/documentairefilm-zij-stuurt-de-nacht-over-vrouwelijke-chauffeurs-wordt-vertoond-op-taxi-expo-2026-primeur-voor-de-branche/&lt;/a&gt;&lt;/p&gt;
&lt;blockquote class=&#034;spip&#034;&gt;
&lt;p&gt;Published on 18 August 2026, by Peter Runhaar&lt;/p&gt;
&lt;p&gt;Documentary makers Yula Bello and Vos Vissers have made the film &#8216;She Drives the Night', in which they follow two female taxi drivers who work at night in Rotterdam and Amsterdam. With this film, the makers aim to draw attention to women's safety at night and the role that female drivers play in this. We will be screening the film at TaxiExpo on 15 October &#8211; a first for the industry! Yula and Vos, along with one of the drivers featured in the film, will be in attendance to discuss the subject and share their experiences.&lt;/p&gt;
&lt;p&gt;In their film &#8216;Zij stuurt de Nacht', documentary filmmakers Yula Bello and Vos Vissers follow two female taxi drivers who work night shifts in Rotterdam and Amsterdam. Through the film, the filmmakers aim to raise awareness of women's safety at night and the role that female drivers play in this.&lt;/p&gt;
&lt;p&gt;The documentary centres on Jeanet Jager and Ellen van den Brink. Female taxi drivers are very much in the minority in the industry, which consists of 98 per cent men. Jeanet is the only female driver on Coolsingel in Rotterdam, whilst Ellen works night shifts in Amsterdam. During their shifts, they encounter a wide variety of passengers: from lost tourists and drunken revellers to young women who want to get home safely. Drawing on their own experiences of feeling unsafe, they often take on a protective role for female passengers.&lt;br class='autobr' /&gt;
More relevant than ever&lt;/p&gt;
&lt;p&gt;According to Yula and Vos, women's safety is more relevant than ever: &#8220;Stories of femicide, sexual assault and violence against women mean that many women feel unsafe on the streets at night. At the same time, people are increasingly looking for solutions. For example, the taxi service Bolt recently announced a feature allowing female passengers to choose a female driver.&#8221;&lt;/p&gt;
&lt;p&gt;With &#8216;She Drives the Night', the filmmakers aim to show how a small group of female taxi drivers are trying to make a difference for women who rely on night-time transport. The documentary therefore focuses not only on the work of Ellen and Jeanet, but also on the wider discussion about women's safety in public life and during the night-time hours.&lt;/p&gt;
&lt;/blockquote&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/37486959" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="de">
		<title>Taxi Tales</title>
		<link>https://www.taxifilmfest.de/article263.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article263.html</guid>
		<dc:date>2026-09-13T19:22:57Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Admin</dc:creator>



		<description>&lt;p&gt;Papa ist Taxifahrer. Eine Hommage an ihn, seine Kolleginnen und Kollegen.&lt;br class='autobr' /&gt;
Dauer: 00:22:07&lt;/p&gt;

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&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L106xH150/taxitales_poster_l600px-f9ef0.jpg?1789328613' class='spip_logo spip_logo_right' width='106' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;TAXI TALES weaves together the journeys of three Berlin taxi drivers: Anna Maria, Erdal, and Matthias, who navigate a city alive with motion and stories after dark. The film unfolds a vivid mosaic of memories gathered through countless nights behind the wheel, fragments of wisdom, both subtle and profound and fleeting, unexpected moments of connection that reveal the hidden heartbeat of life itself.&lt;br class='autobr' /&gt;
As the city pulses outside their windows, these drivers become storytellers and philosophers of the night, reflecting on the lives they ferry, the artistry that guides them, and the memories that linger long after the meter stops. Their voices carry humor, solitude, resilience, and a quiet wisdom born from hours spent behind the wheel. Interwoven with archival footage spanning four decades, TAXI TALES bridges past and present, capturing Berlin's evolving soul: its streets a stage where world history and everyday life collide. More than a mere depiction of a job, Taxi Tales negotiates poetically on the unexpected ties between existential questions and driving a Mercedes.&lt;/p&gt;
&lt;p&gt; Director Elisabeth (Betsi) Schumacher&lt;/p&gt;
&lt;p&gt;Betsi's work is driven by a curiosity about people, their experiences, and the circumstances that shape their lives. During her years as a film student, she began creating biographical portraits of individuals she found fascinating and inspiring. This approach led to the short films &#034;Karla&#034; and &#034;N&#228;chtliche Mahlzeiten&#034;, followed by the short documentary &#034;Dismissing Boys Club Mentality&#034;. In her filmmaking, personal stories are often connected to broader social structures and questions of power. With sensitivity and care, Betsi brings attention to perspectives that are often overlooked and stories that might otherwise remain untold. Her films are marked by close observation, emotional depth, and a genuine interest in the people at their center.&lt;/p&gt;
&lt;p&gt; Director Statement&lt;/p&gt;
&lt;p&gt;When I was a kid, my dad would pick me up in his taxi from time to time. This was always really special to me since the taxi had a unique elegance to it because of its wood trim and the warm smell of leather. Every now and then he'd tell stories about his experiences with passengers, which left a lasting impression on me. And he always said that the high earners never tip much, but those who look like they don't have much themselves do. My dad wanted to be a painter, but as life goes, things got in the way. But when he talked about driving a taxi, it was never really negative - it was something great.&lt;/p&gt;
&lt;p&gt;In this film, I wanted to hear from my own father how he reflects on his life's journey. But since his story isn't the only one worth telling, I also want to share the stories of Anna-Maria and Erdal. They've all experienced how unexpected events can set you on a different path, yet they've also found a sense of self-determination in what they do, and the wisdom that has emerged from that has deeply moved me.&lt;br class='autobr' /&gt;
Even though we've chosen an essayistic narrative style to convey our film, we shouldn't overlook the challenges of everyday working life: low pay, physical and mental strain are just a few of the downsides of this profession. We also can't ignore the fact that it is primarily people from working-class families and with histories of migration who are pushed into the service sector. TAXI TALES is one of many pieces of the puzzle addressing questions of wage labor, life, and self-determination, but above all, it offers a glimpse into the memories and experiences of three people from whom we can learn something about life.&lt;/p&gt;
&lt;p&gt; Credits&lt;/p&gt;
&lt;p&gt; Director: Elisabeth (Betsi) Schumacher&lt;/p&gt;
&lt;p&gt; Producer: Zora G&#252;nther&lt;/p&gt;
&lt;p&gt; Camera: Luise Hahn, Elisabeth (Betsi) Schumacher&lt;/p&gt;
&lt;p&gt; Sound: Hannah Otte&lt;/p&gt;
&lt;p&gt; Editing: Luzie Puell, Hannah Otte, Elisabeth (Betsi) Schumacher, Luise Hahn&lt;/p&gt;
&lt;p&gt; Soundtrack: Leyla Baer (Yzel), Elisabeth (Betsi) Schumacher, Hannah Otte, Zora G&#252;nther&lt;/p&gt;
&lt;p&gt; Archive material provided by Uli Happe&lt;/p&gt;
&lt;p&gt; Key Cast: Anna-Maria, Erdal, Matthias&lt;/p&gt;
&lt;p&gt; Specifications&lt;/p&gt;
&lt;p&gt;Project Title (Original Language): TAXI TALES&lt;br class='autobr' /&gt;
Project Type: Documentary&lt;br class='autobr' /&gt;
Runtime: 22 minutes 7 seconds&lt;br class='autobr' /&gt;
Completion Date: January 10, 2026&lt;br class='autobr' /&gt;
Production Budget: 400 EUR&lt;br class='autobr' /&gt;
Country of Origin: Germany&lt;br class='autobr' /&gt;
Country of Filming: Germany&lt;br class='autobr' /&gt;
Language: German, Kurdish, Turkish&lt;br class='autobr' /&gt;
Shooting Format: 4K, 25 fps&lt;br class='autobr' /&gt;
Aspect Ratio: 16:9&lt;br class='autobr' /&gt;
Film Color: Color&lt;br class='autobr' /&gt;
First-time Filmmaker: No&lt;br class='autobr' /&gt;
Student Project: Yes - Berliner Hochschule f&#252;r Technik&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/35212823" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
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	</item>
<item xml:lang="de">
		<title>Taxi Driver</title>
		<link>https://www.taxifilmfest.de/article262.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article262.html</guid>
		<dc:date>2026-09-13T19:22:34Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Drama&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Englisch&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Farsi&lt;/span&gt;</dc:subject>
		<dc:subject>Iran</dc:subject>
		<dc:subject>2025</dc:subject>

		<description>&lt;p&gt;Iranische Taxis bieten Freiraum f&#252;r ungew&#246;hnliche Begegnungen. Das ist uns n&#228;her, als die Nachrichten zeigen.&lt;br class='autobr' /&gt;
Dauer: 00:13:00&lt;/p&gt;

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&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

/ 
&lt;a href="https://www.taxifilmfest.de/mot11.html" rel="tag"&gt;&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot16.html" rel="tag"&gt;&lt;span lang='DE'&gt;Drama&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot48.html" rel="tag"&gt;&lt;span lang='DE'&gt;Englisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot55.html" rel="tag"&gt;&lt;span lang='DE'&gt;Farsi&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot118.html" rel="tag"&gt;Iran&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot152.html" rel="tag"&gt;2025&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L106xH150/taxi_driver_poster-4a6a5.jpg?1789328613' class='spip_logo spip_logo_right' width='106' height='150' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;A taxi driver who is involved in a cold emotional relationship at home. On his way to pick up passengers, a female passenger catches his attention and the woman takes several turns. During this journey together, events happen between them, then they arrange to meet the next day.&lt;/p&gt;
&lt;p&gt;Director - SIYAMAND HASSANPOUR&lt;/p&gt;
&lt;p&gt;Born and raised in the city of Mahabad in the Kurdish region of Iran, I hold a bachelor's degree in Digital Arts and graduated from the Film Making course at the Young Cinema Society of Iran.&lt;/p&gt;
&lt;p&gt;Credits&lt;/p&gt;
&lt;p&gt; Director, Writer, Producer&lt;br class='autobr' /&gt; SIYAMAND HASSANPOUR&lt;/p&gt;
&lt;p&gt;Specifications&lt;/p&gt;
&lt;p&gt; Project Type: Feature, Short&lt;br class='autobr' /&gt; Genres: Drama, family&lt;br class='autobr' /&gt; Runtime: 13 minutes&lt;br class='autobr' /&gt; Completion Date: May 1, 2025&lt;br class='autobr' /&gt; Country of Filming: Iran&lt;br class='autobr' /&gt; Language: English, Kurdish, Persian&lt;br class='autobr' /&gt; Shooting Format: Digital&lt;br class='autobr' /&gt; Film Color: Color&lt;br class='autobr' /&gt; First-time Filmmaker: Yes&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="https://filmfreeway.com/submissions/35032903" class="spip_out"&gt;https://filmfreeway.com/submissions...&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

	</item>
<item xml:lang="de">
		<title>Taxi in Time 2</title>
		<link>https://www.taxifilmfest.de/article261.html</link>
		<guid isPermaLink="true">https://www.taxifilmfest.de/article261.html</guid>
		<dc:date>2026-09-13T19:22:15Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>de</dc:language>
		<dc:creator>Redaktion</dc:creator>


		<dc:subject>&lt;span lang='DE'&gt;Kom&#246;die&lt;/span&gt;</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;</dc:subject>
		<dc:subject>Youtube</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Science Fiction&lt;/span&gt;</dc:subject>
		<dc:subject>Taxi ist Teil der Geschichte</dc:subject>
		<dc:subject>&lt;span lang='DE'&gt;Italienisch&lt;/span&gt;</dc:subject>
		<dc:subject>2026</dc:subject>
		<dc:subject>keine</dc:subject>

		<description>&lt;p&gt;Nach Teil eins geht es noch weiter in die Zukunft.&lt;br class='autobr' /&gt;
Dauer: 00:01:34&lt;/p&gt;

-
&lt;a href="https://www.taxifilmfest.de/rubrique38.html" rel="directory"&gt;Filme&lt;/a&gt;

/ 
&lt;a href="https://www.taxifilmfest.de/mot1.html" rel="tag"&gt;&lt;span lang='DE'&gt;Kom&#246;die&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot11.html" rel="tag"&gt;&lt;span lang='DE'&gt;Kurzfilm&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot23.html" rel="tag"&gt;Youtube&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot93.html" rel="tag"&gt;&lt;span lang='DE'&gt;Science Fiction&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot103.html" rel="tag"&gt;Taxi ist Teil der Geschichte&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot114.html" rel="tag"&gt;&lt;span lang='DE'&gt;Italienisch&lt;/span&gt;&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot151.html" rel="tag"&gt;2026&lt;/a&gt;, 
&lt;a href="https://www.taxifilmfest.de/mot153.html" rel="tag"&gt;keine&lt;/a&gt;

		</description>


 <content:encoded>&lt;img src='https://www.taxifilmfest.de/local/cache-vignettes/L150xH113/taxi_in_time_2_hq_-72693.jpg?1789328613' class='spip_logo spip_logo_right' width='150' height='113' alt=&#034;&#034; /&gt;
		&lt;div class='rss_texte'&gt;&lt;p&gt;Directed by Gianluca Fratellini&lt;br class='autobr' /&gt;
Fun mini-short inspired by Back to the Future&lt;/p&gt;&lt;/div&gt;
		&lt;div class="hyperlien"&gt;Online ansehen : &lt;a href="http://www.cgluca.it/" class="spip_out"&gt;Gianluca Fratellini&lt;/a&gt;&lt;/div&gt;
		
		</content:encoded>


		

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